diletante
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paco99 wrote:no clock
I have 2 from black friday and love them.
One has bounced in my pocket with keys for 9 mo. w/o any troublees
Jeeze. Impossible to get more rugged than that.
And, what about the person that said it survived being thru a washing machine cycle?!!
I don't know, but I'd say that Sansa design engineers would love to hear that.
On the other/practical side, I would highly recommend trying NOT to subject ANY DAP to any of the above, or even near the above trauma, and actually expect it to work after.
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diletante
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diletante wrote:llo not bad. But, it's all about true *reproduction," i.e., wanting to hear the closest to what was heard front center at the un amplified live performance.
And, since tape is only capable of an 80dB dynamic range, vinyl 90, it was agreed upon long ago by ALL sound reproduction manufacturers how to compress the 120 dB of any life performance down to the 80 or 90dB that can fit onto those media. SO, to hear it ALL, even to this day, you gotta listen to the play-back AFTER it had been expanded back out to 120dB in the exact method it was compressed....otherwise, at the same volumes it was to a listener at front center stage when it was originally performed, it won't sound the same. AND, at those low of volumes (i.e., exactly the levels of the real deal), vinyl or tape has a 15-20bB noise level that AIN'T the sneezes and coughs of the ppl that were there in the auditorium (cuz those are louder, AND OK/desired), and when you expand the music back out to 120dB, most or all of that baseline noise that is inherent to tape and vinyl media IS GONE!
[color=#FF0000] ...this, that, and the wooter.[/color]
diletante
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diletante wrote:llo not bad. But, it's all about true *reproduction," i.e., wanting to hear the closest to what was heard front center at the un amplified live performance.
And, since tape is only capable of an 80dB dynamic range, vinyl 90, it was agreed upon long ago by ALL sound reproduction manufacturers how to compress the 120 dB of any live performance down to the 80 or 90dB that can fit onto those media. SO, to hear it ALL, even to this day, you gotta listen to the play-back AFTER it has been expanded back out to 120dB in the exact method it was compressed....otherwise, at the same volumes it was to a listener at front center stage when it was originally performed, it won't sound the same. AND, at those low of volumes (i.e., exactly the levels of the real deal), vinyl or tape has a 15-20bB noise level that AIN'T the sneezes and coughs of the ppl that were there in the auditorium (cuz those are louder, AND OK/desired), and when you expand the music back out to 120dB, most or all of that baseline noise that is inherent to tape and vinyl media IS GONE...hence the need for a compander.
[color=#FF0000] ...this, that, and the wooter.[/color]
diletante
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bradw76 wrote:Ok, seriously. My kid the stage manager keeps her mp3 player moistureproof when running the same way they keep the stage cordless mics protected.
Unlubricated condoms.
Seriously.
And you wondered why Woot had those up duing the recent woot-offs?
Now you know.
I believe that...the part about using them on equipment and such (not about why woot sells'em, tho;-)
[color=#FF0000] ...this, that, and the wooter.[/color]
diletante
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kpanos wrote:I'm probably wrong, but I sense a woot-off for some reason.
Ppl've mentioned here that woot-offs have never happened except on a ...I think they said Tues...maybe it was Thurs.?
[color=#FF0000] ...this, that, and the wooter.[/color]