drac77 wrote:and that right there is the keyword: those that "call" themselves audiophiles. In my own opinion every single product of theirs that I have owned is rock solid and I started in the early 90's. I can't begin to describe how sick I am of armchair "audiophiles" bashing a company that makes a great product that not only sounds good but last forever and if it happens to break or not work properly take it to the store and walk out with a new one. I can say that because I worked for them for two years part time. Until someone that has a 20,000$ tube amplifier and the rest of their system adds up to the price of a german car gives me their opinion I laugh at the rest. They act like their ears are lab equipped...
I got Krell 2ch class-A amp (real class-A, not sliding bias, it consumes 1000w just sitting there), McCormack 3ch amp, Maggie 3.6R pure ribbon for L/C/R speakers, maggie QR for the rest of 7.1, Meridian 7.1 pre-pro, Audible Illusion tube preamp, 3 cylindrical subs driven by amp made by Crown. Blowse's #01 series tries to convey a sense of space by shooting the sound rearward, but at the expense of having absolutely no imaging. Plus it was all midrange drivers thus no highs and no lows. Their later AM stuff had tiny satellites that used vented midrange drivers, which is insane to do because creating phase shift and time delay in a sensitive part of the audio spectrum is insane. And all that sound destruction trickery was not able to let it go below 250hz, thus it crosses over the their 'sub'woofer at that freq, causing extreme shift in the imaging of the sound toward the location of the 'sub'woofer. Listening to it in their Blowse HT demo and hearing the imaging shift made it sound like a joke. People saying how great it sounded are even a bigger joke.