Friday, August 26

 

Thursday, August 25

 

Wednesday, August 24

 

Tuesday, August 23

The Debunker: Was Ronald Reagan the First Choice to Star in "Casablanca"?

by Ken Jennings

This is the season of Hollywood's unrestrained id: the brainless summer blockbuster, the air-conditioned multiplex, the bottomless popcorn refills, the avalanche of kids emerging blinking into bright sunlight, waiting for their parental pickup. But August is also the anniversary of the movies themselves! It was on August 31, 1897 that Thomas Edison patented his first movie camera, the Kinetograph. In honor of 119 years of cinematic glitz and glamour, we've asked movie buff and Jeopardy! tough Ken Jennings to give us the "reel" truth on all kinds of old-movie misinformation.

The Debunker: Was Ronald Reagan the First Choice to Star in Casablanca?

It's one of the most storied "what if"s in Hollywood history: what if the most iconic screen role of the 1940s, the world-weary Rick Blaine in Casablanca, had been played by not by Humphrey Bogart but by a different actor? Furthermore, what if that actor had been genial future president Ronald Reagan? Reagan, according to movie lore, was Warner Brothers's first choice for the project.

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Monday, August 22

 

Saturday, August 20

 

Friday, August 19

 

Thursday, August 18

 

Wednesday, August 17

 

Tuesday, August 16

The Debunker: Do Movies Work Through "Persistence of Vision"?

by Ken Jennings

This is the season of Hollywood's unrestrained id: the brainless summer blockbuster, the air-conditioned multiplex, the bottomless popcorn refills, the avalanche of kids emerging blinking into bright sunlight, waiting for their parental pickup. But August is also the anniversary of the movies themselves! It was on August 31, 1897 that Thomas Edison patented his first movie camera, the Kinetograph. In honor of 119 years of cinematic glitz and glamour, we've asked movie buff and Jeopardy! tough Ken Jennings to give us the "reel" truth on all kinds of old-movie misinformation.

The Debunker: Do Movies Work Through "Persistence of Vision"?

Nearly every work on film theory begins with one starting principle: that the illusion of motion in motion pictures is only possible through a phenomenon called "persistence of vision." This was a turn-of-the-century attempt to explain the miracle that makes cinema possible: images flash on a screen, and even though they don't move, our brain believes they do. Psychologists decided that something called "persistence of vision" must be involved: some kind of retinal after-image in the eye itself weaves the still images together into a moving whole.

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